Ralph Steadman

Ralph Steadman

Ralph Steadman began his career as a cartoonist satirising the British social and political scene of the 60s. In the 1970s, responding to what he called ‘the screaming lifestyle of America’ he teamed up with Hunter S. Thompson which resulted in his iconic drawings for Fear and Loathing in Las Vegas and collaborations ranging from The Kentucky Derby to The Curse of Lono. Many of his drawings were to be seen in Rolling Stone magazine and he produced his book of collected impressions of America in 1974.

His work has appeared in many newspapers and magazines, from Punch and Private Eye in the early years to the New Statesman, The New Yorker and The Independent.

Early in his career he turned his creative energy to the literary classics, beginning with Alice in Wonderland and Alice Through The Looking Glass. Other illustrated works include Treasure Island, Animal Farm and Fahrenheit 451. He, then, turned to the lives of Sigmund Freud, and, later, Leonardo da Vinci, reinterpreting their genius in both words and drawings. He wrote Doodaaa in 2002, part satire and part autobiography, and The Joke’s Over, a recount of his relationship with Hunter S. Thompson, in 2006.

Much of the 1990s was spent traveling the vineyards and distilleries of the world for Oddbins, the wine merchant. These journeys resulted in three books, The Grapes of Ralph, Untrodden Grapes and Still Life with Bottle.

He has written illustrated children’s books such as Teddy Where Are You and That’s My Dad, and books of poetry with his friend, Adrian Mitchell, in addition to creating sculptures and limited edition prints. He has designed theatre costumes and sets, produced graphics for television and film and designed stamps.

Most recently, he has completed two books with Gonzovationist Ceri Levy– Extinct Boids and Nextinction– about extinct and endangered birds, and is currently working on his third, Critical Critters, which is about endangered animals. He also has a new children’s book in the works called Again! His work continues to influence and inspire artists around the world today.

Selected Works

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Ralph Steadman

Merchandise

ARTISTS

Ralph Steadman

Ralph Steadman

Rick Griffin

Rick Griffin

Roger Dean

Roger Dean

Colin Prahl

Colin Prahl

Damon Soule

Damon Soule

Freyja Dean

Freyja Dean

Jacaeber Kastor

Jacaeber Kastor

Justin Lovato

Justin Lovato

Leighton Kelly

Leighton Kelly

Leans

Leans

Mars-1

Mars-1

Oliver Vernon

Oliver Vernon

SebastiAn Wahl

SebastiAn Wahl

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Group Show | ONE STEP FURTHER

Group Show

“ONE STEP FURTHER”

November 11, 2021

627 E Main St,
Grass Valley, CA 95945

The Chambers Project Announces The Opening of “One Step Further” An exhibit of visionary and psychedelic art.

GRASS VALLEY, CA

The inaugural group show at the new Chambers Project gallery is an important moment in the history of psychedelic art. The gallery provides New Psychedelia with a professional and serious home, a stable sanctuary of credibility in the chaotic art world. Psychedelic art has come of age.  

The paintings and sculptures include works by new masters and iconic figures from the genre’s history. Massive and spectacular canvases fill the gallery walls, immersing spectators into a visionary landscape of tumbling colors and shapes, toppling through space and sometimes spilling from the frames. 

Spectacular twelve feet wide paintings by Mars-1 and Oliver Vernon dominate the space, and the two artists will paint new work for a live audience. These artists are destined for the history of art as pioneers of the new psychedelia. Mars-1 makes sensual, delicate paintings, surging out of their two-dimensional surface into the three-dimensional world. A trained painter, he has a sophisticated classical touch and a comforting sense of color which invites his audience to enjoy the sensual compositions he makes. He is influenced by the aesthetics of computer graphics, and has worked with the industry’s software, but, “discovered that I did a lot better when I didn’t have anyone art directing me, but I definitely used that experience as an opportunity to strengthen my paintings.”

New psychedelic art has carved out a niche in the contemporary art market. Curator Brian Chambers said, “The show ties the contemporary psychedelic world to the godfathers of the scene. The new school and the old school. It’s a celebration of all the major influences that have combined to shape new psychedelia. Now psychedelic art is something to be proud of. It’s proper and proud to declare yourself psychedelic. It’s appropriate and safe to do so. This is psychedelic art. This is who we are. I’m focused and specialized. Smaller galleries and smaller cities can have a bigger footprint these days. The field is gaining traction – a lot of new eyes are looking at it, and it’s moving into the blue-chip arena.”

Oliver Vernon’s work began in the traditions of 1950’s abstraction, but the psychedelic experience transformed his work and his practice and has brought it an intense and colorful freshness. There’s no zombie abstraction here. Dramatic, and convincing, his work marks an evolution in the history of all-over painting. Vernon said, “The psychedelic experience was a key to unlocking a crazy force. Uninterrupted, no hesitation, pouring, shifting gears, and changing modes rapidly, without having to stop and contemplate what they should be. It was a revelation.

Exhibition Opening

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After Party

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Individual Works

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