Rick Griffin

Rick Griffin

Rick Griffin was a highly influential artist whose life and professional career left an indelible mark on the art world. Born in 1944 in Southern California, Griffin developed a passion for art at a young age. His talent and unique style quickly gained recognition, leading him to become one of the prominent figures of the counterculture movement of the 1960s and 1970s.

Griffin’s artistic journey began with his involvement in the surfing and skateboarding scene, where he honed his skills as a graphic designer. He created captivating surfboard designs and innovative logos, earning him widespread acclaim. This early success laid the foundation for his future career in the world of art and illustration.

One of Griffin’s most notable contributions was his role in shaping the visual identity of the psychedelic rock scene in San Francisco. He collaborated with renowned bands such as the Grateful Dead and Jefferson Airplane, creating iconic posters and album covers that became synonymous with the era. Griffin’s intricate line work, psychedelic imagery, and vibrant colors perfectly captured the spirit of the music and the counterculture movement that surrounded it.

Throughout his career, Griffin continuously pushed the boundaries of his artistry. He seamlessly merged elements of mysticism, spirituality, and popular culture in his work, creating a visual language that resonated deeply with audiences. His style evolved over time, incorporating elements of Art Nouveau, Surrealism, and Art Deco, among others, while still maintaining his distinct and recognizable aesthetic.

Griffin’s art extended beyond music-related projects. He also contributed to various underground publications, including Zap Comix and Surfer Magazine, where his illustrations showcased his versatility and ability to adapt his style to different mediums. His artwork often featured intricate details, mythical creatures, and cosmic landscapes, inviting viewers into a realm of imagination and introspection.

Tragically, Griffin’s life was cut short in 1991 when he passed away in a motorcycle accident at the age of 47. However, his artistic legacy continues to inspire and captivate audiences today. His unique blend of spirituality, symbolism, and graphic design continues to influence contemporary artists, and his work remains highly sought after by collectors and enthusiasts alike.

Rick Griffin’s life and professional career epitomized the spirit of the counterculture movement and its artistic expression. His contributions to the world of art and his ability to seamlessly merge various influences and styles established him as a visionary artist of his time. Griffin’s legacy lives on through his captivating artwork, leaving an enduring impact on the art world and ensuring that his name will forever be associated with innovation, creativity, and the spirit of the era in which he thrived.

 

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Ralph Steadman

Ralph Steadman

Rick Griffin

Rick Griffin

Roger Dean

Roger Dean

Colin Prahl

Colin Prahl

Damon Soule

Damon Soule

Freyja Dean

Freyja Dean

Jacaeber Kastor

Jacaeber Kastor

Justin Lovato

Justin Lovato

Leighton Kelly

Leighton Kelly

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Mars-1

Mars-1

Oliver Vernon

Oliver Vernon

SebastiAn Wahl

SebastiAn Wahl

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Group Show | ONE STEP FURTHER

Group Show

“ONE STEP FURTHER”

November 11, 2021

627 E Main St,
Grass Valley, CA 95945

The Chambers Project Announces The Opening of “One Step Further” An exhibit of visionary and psychedelic art.

GRASS VALLEY, CA

The inaugural group show at the new Chambers Project gallery is an important moment in the history of psychedelic art. The gallery provides New Psychedelia with a professional and serious home, a stable sanctuary of credibility in the chaotic art world. Psychedelic art has come of age.  

The paintings and sculptures include works by new masters and iconic figures from the genre’s history. Massive and spectacular canvases fill the gallery walls, immersing spectators into a visionary landscape of tumbling colors and shapes, toppling through space and sometimes spilling from the frames. 

Spectacular twelve feet wide paintings by Mars-1 and Oliver Vernon dominate the space, and the two artists will paint new work for a live audience. These artists are destined for the history of art as pioneers of the new psychedelia. Mars-1 makes sensual, delicate paintings, surging out of their two-dimensional surface into the three-dimensional world. A trained painter, he has a sophisticated classical touch and a comforting sense of color which invites his audience to enjoy the sensual compositions he makes. He is influenced by the aesthetics of computer graphics, and has worked with the industry’s software, but, “discovered that I did a lot better when I didn’t have anyone art directing me, but I definitely used that experience as an opportunity to strengthen my paintings.”

New psychedelic art has carved out a niche in the contemporary art market. Curator Brian Chambers said, “The show ties the contemporary psychedelic world to the godfathers of the scene. The new school and the old school. It’s a celebration of all the major influences that have combined to shape new psychedelia. Now psychedelic art is something to be proud of. It’s proper and proud to declare yourself psychedelic. It’s appropriate and safe to do so. This is psychedelic art. This is who we are. I’m focused and specialized. Smaller galleries and smaller cities can have a bigger footprint these days. The field is gaining traction – a lot of new eyes are looking at it, and it’s moving into the blue-chip arena.”

Oliver Vernon’s work began in the traditions of 1950’s abstraction, but the psychedelic experience transformed his work and his practice and has brought it an intense and colorful freshness. There’s no zombie abstraction here. Dramatic, and convincing, his work marks an evolution in the history of all-over painting. Vernon said, “The psychedelic experience was a key to unlocking a crazy force. Uninterrupted, no hesitation, pouring, shifting gears, and changing modes rapidly, without having to stop and contemplate what they should be. It was a revelation.

Exhibition Opening

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After Party

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Individual Works

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