Colin Prahl | LIMIT SEQUENCE

Colin Prahl

“LIMIT SEQUENCE”

July 23, 2022

627 E Main St,
Grass Valley, CA 95945

The Chambers Project Announces The Opening of Colin Prahl’s “Limit Sequence” Solo Show

The Chambers Project is proud to announce “Limit Sequence” — a solo exhibition from local artist, Colin Prahl.

“Limit Sequence” will be showcasing nearly 50 new pieces, from July 23rd through September 16th.

Originally from Potsdam, New York, Prahl studied illustration at Rhode Island School of Design, receiving his BFA in 2012, then relocating to New York City
soon afterwards. Now based in Grass Valley, Prahl’s show is his second solo exhibition at The Chambers Project, following his debut in June 2019 at the first gallery location in Nevada City.

Prahl’s focus is primarily in two dimensional work. His pieces often feature detailed, playful infrastructures that seem to lay just beneath the surface of reality. His work is heavily influenced by architectural renderings, perceptual
effects, optical illusions, logical puzzles, as well as scientific, medical, and futurist illustration. His inspiration draws deeply from these sciences as a means to deepen his understanding of them.

Utilizing tools typical in the illustration of technical and engineering drawings such as isometric projection, Prahl’s work succeeds at representing three dimensional landscapes within a two dimensional medium, taking the eye on a
journey through optically dynamic terrain.

“Limit Sequence” Exhibit:
Opening 7pm – July 23, 2022
Closes September 16, 2022
At The Chambers Project Gallery
627 E Main St, Grass Valley, CA 95945

The Chambers Project Contact:

Brian Chambers – Gallery Owner / Curator
[email protected]

Exhibition Opening

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Colin Prahl

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Group Show | ONE STEP FURTHER

Group Show

“ONE STEP FURTHER”

November 11, 2021

627 E Main St,
Grass Valley, CA 95945

The Chambers Project Announces The Opening of “One Step Further” An exhibit of visionary and psychedelic art.

GRASS VALLEY, CA

The inaugural group show at the new Chambers Project gallery is an important moment in the history of psychedelic art. The gallery provides New Psychedelia with a professional and serious home, a stable sanctuary of credibility in the chaotic art world. Psychedelic art has come of age.  

The paintings and sculptures include works by new masters and iconic figures from the genre’s history. Massive and spectacular canvases fill the gallery walls, immersing spectators into a visionary landscape of tumbling colors and shapes, toppling through space and sometimes spilling from the frames. 

Spectacular twelve feet wide paintings by Mars-1 and Oliver Vernon dominate the space, and the two artists will paint new work for a live audience. These artists are destined for the history of art as pioneers of the new psychedelia. Mars-1 makes sensual, delicate paintings, surging out of their two-dimensional surface into the three-dimensional world. A trained painter, he has a sophisticated classical touch and a comforting sense of color which invites his audience to enjoy the sensual compositions he makes. He is influenced by the aesthetics of computer graphics, and has worked with the industry’s software, but, “discovered that I did a lot better when I didn’t have anyone art directing me, but I definitely used that experience as an opportunity to strengthen my paintings.”

New psychedelic art has carved out a niche in the contemporary art market. Curator Brian Chambers said, “The show ties the contemporary psychedelic world to the godfathers of the scene. The new school and the old school. It’s a celebration of all the major influences that have combined to shape new psychedelia. Now psychedelic art is something to be proud of. It’s proper and proud to declare yourself psychedelic. It’s appropriate and safe to do so. This is psychedelic art. This is who we are. I’m focused and specialized. Smaller galleries and smaller cities can have a bigger footprint these days. The field is gaining traction – a lot of new eyes are looking at it, and it’s moving into the blue-chip arena.”

Oliver Vernon’s work began in the traditions of 1950’s abstraction, but the psychedelic experience transformed his work and his practice and has brought it an intense and colorful freshness. There’s no zombie abstraction here. Dramatic, and convincing, his work marks an evolution in the history of all-over painting. Vernon said, “The psychedelic experience was a key to unlocking a crazy force. Uninterrupted, no hesitation, pouring, shifting gears, and changing modes rapidly, without having to stop and contemplate what they should be. It was a revelation.

Exhibition Opening

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After Party

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Individual Works

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Colin Prahl | GEODASIA

Colin Prahl

“GEODASIA”

June 1, 2022

627 E Main St,
Grass Valley, CA 95945

The Chambers Project Announces The Opening of Colin Prahl’s “GEODASIA” Solo Show

The hypnotic brain paintings of Colin Prahl will be on full display for Northern California viewers throughout the month of June. Prahl’s 16 works entitled “Geodaesia,” draw on the celestial and psychedelic while applying draftsman-like precision. 

A native upstate New Yorker, Prahl attended RISD (Rhode Island School of Design) earning a B.A. in Illustration in 2012 before moving to New York City where he worked as a studio assistant to several prominent artists. His aesthetic has been shaped largely by his studies of perception, a lengthy exploration of neuroscience guiding his process. 

The “Geodaesia” body of work attempts to capture a sense of deep space, the suggestion of other dimensions, and the intangible vibrations of the mind. Prahl works in acrylic airbrush and the result is shimmering expanses of color and texture that imply movement, auric, geometric canvases that appear to pulse right off the wall. 
This is Prahl’s first solo show on the West Coast after growing interest in his contributions to a group show last year in Arizona. Owner Brian Chambers says, “It’s really exciting for us to bring Colin’s work to California, his paintings attracted so much attention in 2018. I think people are really going to be blown away when they see this show altogether. The effect is indescribable.”

Exhibition Opening

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